By Don Rauf
By way of developing their very own digital day at the task, scholars can discover firsthand what it is prefer to have many intriguing careers.
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Additional resources for Cartoon Animator (Virtual Apprentice)
I grew up in Bensonhurst, Brooklyn, and I was lucky there were art teachers. But I was a big cartoon fan. I must have seen a Wonderful World of Disney episode that showed the process of animation and I decided then that being an animator was for me. Tom: I grew up in Pullman in eastern Washington, and art was always at the forefront of my interests. I got into ani0 “I drew constantly. I made up characters. ” —Yvette Kaplan mation in a roundabout way. From the time I was 12 until my early 20s I played music in a band.
With a firm grasp of art fundamentals—especially a strong line and a good design sense, animators can take the first steps toward developing their own animations. First you’ll need a story. With a simple story in mind, you make storyboards showing the main scenes of action in your animation. Creature Feature FinD oUt morE 3 Virtual apprentice: rEaLitY CHECK If you’ve ever made a flipbook, you know that even the simplest effect can take many drawings to produce. Animation is incredibly time consuming.
We’d make animation by moving quickly from one slide to another. Then I did simple digital animations on a TV show called Adam Smith’s Money World. I learned on the job, and I became the “go-to” guy for graphics and animation. Gradually, I got to know a lot of animators, designers, and illustrators. When MTV wanted a producer to produce the Beavis and Butt-Head series, a friend of mine at Nickelodeon called me and I was hired. I did a lot of quick learning about how an animated series is produced.