By Ruth Scodel (ed.)
The essays in among Orality and Literacy handle how oral and literature practices intersect as messages, texts, practices, and traditions movement and alter, simply because problems with orality and literacy are particularly complicated and critical whilst details is transmitted over extensive expanses of time and area or tailored in new contexts. Their themes variety from Homer and Hesiod to the recent testomony and Gaius’ Institutes, from epic poetry and drama to vase portray, historiography, mythography, and the philosophical letter. many times they go back to yes concerns. Writing and orality aren't at the same time unique, and their interplay isn't really continually in one course. Authors, whether or not they use writing or now not, attempt to keep watch over the responses of a listening viewers. A variable culture may be fastened, not only through writing as a expertise, yet by way of such varied strategies because the institution of a Panhellenic model of an Attic fable and a Hellenistic city’s production of a unmarried celebratory background.
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Extra resources for Between Orality and Literacy: Communication and Adaptation in Antiquity
Cybertext: Perspectives on Ergodic Literature Baltimore/London: Johns Hopkins University Press. Andersen, Ø. (1973). 1, 7–27. controlling the web 25 Barthes, R. (1974). S/Z (trans. ). New York: Hill and Wang. D. (1947). ‘The Rosi Krater’, Journal of Hellenic Studies 67: 1–9. Bell, A. (2010). The Possible Worlds of Hypertext Fiction. London: Palgrave Macmillan. D. (2001). ). Mahwah, NJ: Lawrence Erlbaum Associates. , Joyce, M. (1987). , eds. Hypertext ’87: Proceedings of the ACM Conference on Hypertext.
177–178; cf. 158). They imagine a god using an omen to deceive: Nestor reproaches those Achaians content to stop the war before learning whether, when Zeus “flashed lightning, showing signs of favor” (Il. 353) upon their departure for Troy, he showed that he “promises false (pseudos) or truly” (Il. 48 They misinterpret an omen: the Trojans take as auspicious a thunderclap intended to embolden Nestor (Il. 49 Mortal characters do all these things, but they never present variant readings of the same omen.
R. (1974). : Studies in Art, Politics and Art-Politics (unpublished DPhil Thesis, Oxford). Bush, V. (1945). 1, 101–108. L. (2012). ‘Atê in the Homeric Poems’, Papers of the Langford Latin Seminar 15, 1–52. F. (2001). A Narratological Commentary on the Odyssey. Cambridge: Cambridge University Press. , eds. (1990). Hypermedia and Literary Studies. Cambridge, MA/London: MIT Press. Y. (2000). : Reading Interactive Narratives. Ann Arbor, MI: University of Michigan Press. , Warta, A. (2008). Wiki: Web Collaboration (trans.