Download Artificial Intelligence and Literary Creativity by Selmer Bringsjord PDF

By Selmer Bringsjord

Is human creativity a wall that AI can by no means scale? many folks are chuffed to confess that specialists in lots of domain names could be matched via both knowledge-based or sub-symbolic structures, yet even a few AI researchers harbor the wish that once it involves feats of sheer brilliance, brain over computing device is an unalterable truth. during this booklet, the authors push AI towards a time whilst machines can autonomously write not only humdrum tales of the type noticeable for years in AI, yet exceptional fiction considered the province of human genius. It stories on 5 years of attempt dedicated to development a narrative generator--the BRUTUS.1 system.
This e-book was once written for 3 normal purposes. the 1st theoretical explanation for making an investment time, funds, and skill within the quest for a very artistic laptop is to paintings towards a solution to the query of even if we ourselves are machines. the second one theoretical cause is to silence those that think that good judgment is eternally closed off from the emotional global of creativity. the sensible purpose for this recreation, and the 3rd cause, is that machines capable of paintings along people in arenas calling for creativity may have incalculable worthy.

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Extra resources for Artificial Intelligence and Literary Creativity

Sample text

Hart didn't move. ” Rodman said. Hart still sat motionless. Dave felt slightly dizzy. ” Later, Hart sat alone in his office, in his big leather chair, saddened by Dave's failure. He tried to think of ways he could help Dave achieve his dream. This story is in fact “authored” by BRUTUS. And, as we shall see, BRUTUS has other interesting narrative within his reach. Note, however, that we have placed the term ‘author’ in scare quotes. Why? The reason is plain and simple, and takes us back to Lady Lovelace's argument, presented at the start of the chapter: BRUTUS didn't originate this story.

But as we see in Chapters 2 and 3, where Arg1 is explored in some detail, the reasoning is quite powerful. In a nutshell now, (3) is true (for literary creativity) because in order to produce sophisticated fiction, an author, whether human or artificial, must adopt the points of view of the characters involved. But if x adopts the point of view of y, then x must itself have a point of view. Proposition (4), as we see, is the conclusion of an argument derived from Jackson's [115] case against physicalist explanations of inner, subjective states (often called “qualia”).

Well, Hofstadter doesn't seem to have grappled much with the literary realm. 18 But this is about it when it comes to 18Racter is the “author” of The Policeman's Beard is Half Constructed [190]. ” He was expectant but he speedily started to cry again. ” Coldly they began to enrage and revile each other during the time that they hungrily swallowed their chicken. Suddenly Lisa sang of her desire for Diane. She crooned quickly. Her singing was inciting to Benton. ” Lisa speedily replied. She desired possessing her own consciousness.

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